Versatility has always been an essential ingredient for a career within the Arts but the ability to think outside the box is even more important today.

So when one opportunity goes cold you are already thinking about the next one. Of course that means that you have to be alert and aware of trends within the industry as well as having the foresight see into the future.

When I was lecturing on the MA Music Management and Artist Development degree at London College of Music as I introduced myself I would always say to the students.

‘I guess you might be wondering, if I am so successful, why I am actually lecturing to you guys. Well, the answer is simple, I am here to pick your brains and to learn from you, because you are the future and if I want to continue to do the job I love, I need to know how you think and what’s important’

Usually this made them laugh, but I was deadly serious.

Weirdly the current climate of seeming chaos is not such an unfamiliar one to anyone involved in Entertainment and we are better equipped than most to deal with it. Our industry is full of ‘ duckers and divers’ and personally ....I’m proud of being one of them.

One of the most valuable things that a lecturer at Drama College ever said to me was.

‘In the Theatre dear, always remember the word ‘NO’ doesn’t exist. If someone says ‘ can you ride a horse? juggle ? tap dance ?......the answer is always ‘YES’. Then you bloodywell learn how to do it!’

(I took his word for it and actually I once got a West End role that involved tap dancing by doing the one and only tap dance step I knew wearing a huge grin and giving it lots of welly)

And now? Well, I’m not about to give up now am I? Of course not. There’s lots going on and this is when ‘thinking out of the box’ is essential.

So what’s out there? Where does the next opportunity lie and who are the ones trying to make things happen and take those chances?

Clue...they are young. They are talented. They have a passion that lies beyond making money. They meet in a warehouse in Dalston and they try out their Art. It’s not safe...it’s a bit messy. You can make mistakes and they are all willing to listen and learn. I am probably the oldest person there and I only qualify because I have spoken to various inanimate objects as part of my career as a Children’s TV presenter and now I want to know what gives inanimate objects life.

This is ‘Puppet Jam’ , a group of people who are breathing life into Puppets , objects and ideas, who want to share their passion with others.

You will hear more about them soon.