Another body blow for creatives in the music industry took place a couple of days ago, the second one in a matter of weeks. The first was at the end of January when the Government announced that is has ‘no plans’ to comply with the EU Copyright Directive after the country leaves the European Union via Brexit. This has huge implications for the music industry.
Every year as the date of September the 11th rolls around, I think of my own strange ‘other worldly’ experience as I reluctantly found myself in a re-enactment documentary being filmed just nine months after the terrible tragedy of the Twin Towers in New York.
Versatility has always been an essential ingredient for a career within the Arts but the ability to think outside the box is even more important today.
So when one opportunity goes cold you are already thinking about the next one. Of course that means that you have to be alert and aware of trends within the industry as well as having the foresight see into the future.
When I was lecturing on the MA Music Management and Artist Development degree at London College of Music as I introduced myself I would always say to the students.
‘I guess you might be wondering, if I am so successful, why I am actually lecturing to you guys. Well, the answer is simple, I am here to pick your brains and to learn from you, because you are the future and if I want to continue to do the job I love, I need to know how you think and what’s important’
Usually this made them laugh, but I was deadly serious.
Weirdly the current climate of seeming chaos is not such an unfamiliar one to anyone involved in Entertainment and we are better equipped than most to deal with it. Our industry is full of ‘ duckers and divers’ and personally ....I’m proud of being one of them.
One of the most valuable things that a lecturer at Drama College ever said to me was.
‘In the Theatre dear, always remember the word ‘NO’ doesn’t exist. If someone says ‘ can you ride a horse? juggle ? tap dance ?......the answer is always ‘YES’. Then you bloodywell learn how to do it!’
(I took his word for it and actually I once got a West End role that involved tap dancing by doing the one and only tap dance step I knew wearing a huge grin and giving it lots of welly)
And now? Well, I’m not about to give up now am I? Of course not. There’s lots going on and this is when ‘thinking out of the box’ is essential.
So what’s out there? Where does the next opportunity lie and who are the ones trying to make things happen and take those chances?
Clue...they are young. They are talented. They have a passion that lies beyond making money. They meet in a warehouse in Dalston and they try out their Art. It’s not safe...it’s a bit messy. You can make mistakes and they are all willing to listen and learn. I am probably the oldest person there and I only qualify because I have spoken to various inanimate objects as part of my career as a Children’s TV presenter and now I want to know what gives inanimate objects life.
This is ‘Puppet Jam’ , a group of people who are breathing life into Puppets , objects and ideas, who want to share their passion with others.
You will hear more about them soon.
DO YOU HEAR THE PEOPLE SING
The power of a great song has never been so aptly illustrated as it was last Sunday in Hong Kong as two million protestors took to the streets singing the song from Les Miserables ‘ Do You Hear the People Sing’ lyrics by Herbert Kretzmer.
Do you hear the people sing ?
Singing the songs of angry men?
It is the music of a people
Who will not be slaves again!
The song seemed to give them a strength and courage as they stood up for their rights against Communist China which is trying to force a new extradition bill on Hong Kong that could consign anyone living in the in the Territory to the so called Chinese ‘justice’ system. The song was banned in China when the Les Miserables hit the West End stage 33 years ago so it must have been particularly irksome to hear it sung with such oomph and defiance during the protests. Actually the song has become an anthem for protestors everywhere from Venezuela, Taiwan, Turkey.
But isn’t it interesting how the Chinese Government all those years ago recognised that those words and music could be potentially dangerous to their existence.
As Herbert Kretzmer, the lyric writer said, “It demonstrates the power of words when set to inspirational music, has the power to mobilise millions , silence guns and lay down weapons’
‘Do you hear the people of Hong Kong? They are standing up for their rights. He said, “At ninety -three I can only be with them in spirit . But my words are on their lips....and I’m singing with them too”
Hear hear Herbert, we’re all singing with them .....!